The world is funny, life is a shaggy-dog story playing in real-time through a strange loop, and no anti-climatic punchline coming anytime soon. Hmm. Case in point?
~~~~~
E@L’s favourite movie review podcast (pretentiously implying that he listens to, let alone is aware of, more than one) is Kermode and Mayo’s Take. Love it: music and movie trivia and fun boomer banter, movie recommendations, jokes, opinions, and crucially, great emails from listeners…
One of these on the most recent download E@L was listening to this afternoon was a question about naming some once illustrious actors whom no-one remembers these days, presumably due to the vast cultural chasms between generations. Could Mark or Simon name some famous movie people who aren’t any more. Famous that is. Mark quickly brought up the silent movie star Louise Brooks as an example. Once a legend of the silent screen, but now, mostly forgotten. E@L searches his memory to no avail. (Where did he put his small headphones, also none of this avail stuff.*) Mark promised that we would recognise her if we saw her photo, so Simon, who did not recall the name either, Googled and then said, “Yes I do recognise her!” (Or words to that effect.).
E@L wasn’t sure he knew the name either. He wondered if she was in the sister’s big old book of glossy promotional photographs of Hollywood Stars, The Image Makers, and if he would recognise her… but then he got distracted by life, like not driving into the car in front of him as he sips his flat white, etc…
~~~~~~
Cut to the balcony at E@H GHQ later that day, where it’s a bit windy and chilly considering that summer is a hair’s breadth away, but the mosquitoes don’t care, so the gas patio heater is raging and emitting throaty burps of flame as the wind hits it sideways, the smoking mosquito coil is threatening go blow out, the ice in his Disarrono (been to an Italian restaurant, in the mood for an almond aperetif) is slowly melting, the solar powered lights still have charge, and E@L is up to page 205 of Thomas Pynchon’s newest, Shadow Ticket.
It’s the depression era, prohibition is about the end, and our gumshoe protagonist, Hicks McTaggart, from Milwaukee is in… Budapest? Vienna? Paris? (fuck it’s hard to keep up with these details in a Pynchon novel) talking to Daphne Airmont, the absconded jazz singing daughter of a business/criminal type, known as “The Al Capone of Cheese”, and she’s the person he’s supposed to bring back to the family mold, I mean fold in Chicago, and she is complaining about her putative fiancé, saying how she’s often “come upon him in the sweaty clutches of some Swing Girl barely into her teens, Louise Brooks hairdo, nighttime makeup in the daylight hours…”
And E@L goes W. T. A. F!
~~~~~~
Twice in one day! Like, SMW** or what!
~~~~~~
Remembering The Image Makers, E@L runs around his tsunduko style library looking for the old book - here it is! Looks like some naughty puppy (Alfie, the family’s cocker spaniel from the 1970’s no doubt) has taken a fancy to some of the pages, but there they are the early days in artistic black and white: actors and those who were once called actresses, with their the soft-focus cheeks, bright eyes either with I-dare-you-to-come-hither stare or a thousand yard stare to left/right (which is my best profile?), the elaborate stage clothing with that daring flash of cleavage or side-boobage that E@L recalls from his teenage years. And there’s the blokes with their chiselled jaws, earnest testosterone fuelled smiles, brylcremed hair, and fuck-you-I’m-famous personae.
But…
No Louise Brooks.
With the same straight fringe flapper bobbed hairdo though, are only Colleen Moore, and Claudette Colbert (though fair haired).
So, following in Simon Mayo’s fingerprints, E@L Googles her….
And yes, he does recognise the Louise Brooks hairdo, the face, the whole impression of her. Black hair. Very short bob, linear fringe.
This:
~~~~~~
E@L has seen her before, surely. Inside whatever part of brain controls trivia, there is an explosion of electricity and a flushing toilet of neurotransmitters across of a network of said neurones, despite what any number of agents might be trying to do to his serotonin, and hey! HEY!
Surely Louise Brooks is The Hat-check Girl in that hilarious 15 sec snippet of Buster Keaton from Seven Chances (1925)… Tight black bob, steely, indifferent but accusing gaze — must be her!
This one:
Watch it on YouTube for a complete giggle...
~~~~~~
Louise Brooks’s life as Hollywood starlet and after was documented in her autobiography, Lulu in Hollywood. And there are a few resources around on the internet, like an interview with Kenneth Tynan in The New Yorker, and extended bio here, and a shorter YouTube bio or two. So I won’t go into it myself. It seems to be an “Oh dear, to fame and riches, to who? and rags, to oh dear (escort girl!), to relative fame again” story. The not quite classic Joseph Campbell mythic cycle, but what is?
~~~~~~~
So E@L watches the Buster Keaton clip one, two more times. It never fails to amuse him. But what tale of forlorn love doesn’t? you ask. Good point.
And then he finds other resources to confirm that the wise, wily, worldly “girl with the black helmet” in Buster’s visual gag really is Louise and…
~~~~~~
Here’s the shaggy dog ending… (“That ain’t my dog. Mine ain’t that shaggy.”)
It WASN’T her in the Keaton clip after all.
Sigh. It was someone else, with the oh-so popular Louise Brooks hairdo. It’s Rosalind Byrne, another forgotten star of the silver*** screen. She’s got a post of her own in someone’s Louise Brooks fan-blog (with further links if you’re interested), probably because of people like E@L who get them mixed up.
~~~~~~
Oh dear. Two out of four references in one day; well, it ain’t great, ain’t even a pass, but considering he was not aware of Louise Brooks or her infamous hairdo it ain’t that bad really, thinks
E@L
* #CRUNCH#, oh there they are, under the wheels of his office chair.
~~~~~~
Twice in one day! Like, SMW** or what!
~~~~~~
Remembering The Image Makers, E@L runs around his tsunduko style library looking for the old book - here it is! Looks like some naughty puppy (Alfie, the family’s cocker spaniel from the 1970’s no doubt) has taken a fancy to some of the pages, but there they are the early days in artistic black and white: actors and those who were once called actresses, with their the soft-focus cheeks, bright eyes either with I-dare-you-to-come-hither stare or a thousand yard stare to left/right (which is my best profile?), the elaborate stage clothing with that daring flash of cleavage or side-boobage that E@L recalls from his teenage years. And there’s the blokes with their chiselled jaws, earnest testosterone fuelled smiles, brylcremed hair, and fuck-you-I’m-famous personae.
But…
No Louise Brooks.
With the same straight fringe flapper bobbed hairdo though, are only Colleen Moore, and Claudette Colbert (though fair haired).
So, following in Simon Mayo’s fingerprints, E@L Googles her….
And yes, he does recognise the Louise Brooks hairdo, the face, the whole impression of her. Black hair. Very short bob, linear fringe.
This:
E@L has seen her before, surely. Inside whatever part of brain controls trivia, there is an explosion of electricity and a flushing toilet of neurotransmitters across of a network of said neurones, despite what any number of agents might be trying to do to his serotonin, and hey! HEY!
Surely Louise Brooks is The Hat-check Girl in that hilarious 15 sec snippet of Buster Keaton from Seven Chances (1925)… Tight black bob, steely, indifferent but accusing gaze — must be her!
This one:
~~~~~~
Louise Brooks’s life as Hollywood starlet and after was documented in her autobiography, Lulu in Hollywood. And there are a few resources around on the internet, like an interview with Kenneth Tynan in The New Yorker, and extended bio here, and a shorter YouTube bio or two. So I won’t go into it myself. It seems to be an “Oh dear, to fame and riches, to who? and rags, to oh dear (escort girl!), to relative fame again” story. The not quite classic Joseph Campbell mythic cycle, but what is?
~~~~~~~
So E@L watches the Buster Keaton clip one, two more times. It never fails to amuse him. But what tale of forlorn love doesn’t? you ask. Good point.
And then he finds other resources to confirm that the wise, wily, worldly “girl with the black helmet” in Buster’s visual gag really is Louise and…
~~~~~~
Here’s the shaggy dog ending… (“That ain’t my dog. Mine ain’t that shaggy.”)
It WASN’T her in the Keaton clip after all.
Sigh. It was someone else, with the oh-so popular Louise Brooks hairdo. It’s Rosalind Byrne, another forgotten star of the silver*** screen. She’s got a post of her own in someone’s Louise Brooks fan-blog (with further links if you’re interested), probably because of people like E@L who get them mixed up.
~~~~~~
Oh dear. Two out of four references in one day; well, it ain’t great, ain’t even a pass, but considering he was not aware of Louise Brooks or her infamous hairdo it ain’t that bad really, thinks
E@L
~~~~~~
* #CRUNCH#, oh there they are, under the wheels of his office chair.
** Spooky. Mystic. Weird. (Have you forgotten already?)
*** Metallic silver really was used in the reflective screens with the projection technology of early cinema.
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