Jack Ely, the lead singer of The Kingsmen, most well-known for their 1963 seminal hit, Louie Louie, sadly passed away on the 27th of April. RIP.
In case you didn't know (like, by not having read E@L's FB post, or the link above to the Wikipedia page) this song was investigated by no other just arbiter of morality, niceness, appropriateness, and generally good social behaviour than the FBI, for being a menace to society!
"This land of ours [USA?] is headed for an extreme state of degradation what with this record, the biggest hit movies and the sex and violence on T.V." said a concerned father in a letter to the Attorney General, no less. Gee willikers, you don't hear that exact complaint almost word for word anymore, do you? Right...?
The FBI file is most entertaining. E@L wonders what importance there could possibly be in the redacted sections.
~~~~~~~~~~ *The Controversy*
Listen to this song while you read the "explicit lyrics" dear old dad found buried in there.
E@L is certain that you too are outraged!
Now listen to again again while you read the actual lyrics...
Oh. Pretty tame really, but Jack Ely, man, what a brilliant performance he slurs out. It really does sound like he should be singing bawdy, subversive lyrics! E@L reckons he's been smokin' serious amounts of those Jamaican tea leaves prior to the recording session... E@L wishes he had been there! Except he would have been 6yo at the time, andy don't smoke.
OK, great, but apart from being famous for Ely's obviously almost unintelligble singing, the song has had quite a seminal role in what became what we know as rock music, influencing strongly The Kinks' You Really Got Me, which in E@L's opinion is the first truly modern rock song.
Brilliant. Especially the flag-waving at the end!
Louie Louie has been in a squidillion movies and TV shows (see the Wikipedia link, above).
For an example, making the most of the incompehensible lyrics with their drunken slurring, John Belushi at al have a great go at it in National Lampoon's Animal House... (set in 1962, although The Kingmen's version that's playing on the juke-box wasn't released until 1963).
E@L is not at all qualified to speak in any depth about war.
He knows very little about either the mutiny of the sailors on the Battleship Potemkin in 1905, or the non Apocalypse Now / Deer Hunter / Casualities of War parts of the Vietnam War, but when he was looking at a series of photos a while back in, was it, The Atlantic, about the Vietnam "conflict", (which failed to mentioned its prehistory with the War of Independence against France) he came across this pic of a farmer displaying his dead son to a tank-load of South Vietnamese soldiers, which triggered something in E@L's memory of Film Appreciation 101, back in his brief fling with higher education at Uni in 1976.
Ah, of course, that's right. There is a scene at the Odessa Steps in Eisenstein's film that is for all intents, identical.
Draw whatever conclusion you like about any similarities between the Russian Revolution and the Vietnam War, but killing children seems to be what war is all about these days. What with ISIS decapitating children and killing children in schools, and Boko Haram kidnapping school-children for who knows what nefarious purpose, we have to wonder what else we are capable of.
Could it get any worse, or has it always, in reality, been like this?
Nicholson Baker's Human Smoke gives ample support for this observation, that civilians have increasingly become the specified targets for warring nations during the twentieth century. Sure there has been raping and pillaging since tribes marked out boundaries, and since armies trampled through civilian areas on their way to the next staged battle, but it is the power of films and photography and YouTube that stamp these concepts into our minds today. We can see it everywhere, everyday, we don't have to look hard. Our minds explode with these images.
Soldiers might go to war, but that war comes to us, with a camera.
As Trotsky said, "You may not be interested in war, but war is interested in you."
Some targeted children have names:
Kim Phuc (note the photographer changing film next to her in this uncropped shot) "Colonel Alles added that napalm had a ”big psychological effect” on an enemy. ”The generals love napalm,” he said." (Lindsay Murdoch, The Age, March 19, 2013)
We lament our young soldiers today, the 100th Aniversary of ANZAC Day. We should mourn for everyone who has died in "conflicts": man, woman, and child.
We should wring our hands and hang our heads in shame for the human race.